Brindley Sherratt: Fear No More Gawain Glenton both heightened by Telari’s interpretative

both heightened by Telari’s interpretative subtlety and impeccable control

The actual music is so speculative as to remain puzzling: I was convinced by Stef Conner’s Delphic Paean

he and Benjamin Nicholas have put together a programme showcasing his oeuvre – from a setting of the Evening Canticles

but listening to these glistening performances might make you believe otherwise

Brindley Sherratt: Fear No More Gawain Glenton both heightened by Telari’s interpretativeSUMMARY TRACK LISTING REVIEWS INFO Brindley Sherratts pre eminence as an operatic bass is the result of two daring career shifts. Initially trained as a trumpeter, he gave up his first instrument as a student to become a singer. Yet even then, it was only in his mid thirties that he left the professional security of a position in the BBC Singers to explore the world of opera. Now, the voyage of discovery continues as Sherratt turns to the intimate