Shadow Boxer (D.3) Macha Poynder to using a mixture of

to using a mixture of traditional brushes and untraditional tools

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The process involves mixing two or three colors on the canvas

Each successive painting took on its own identity completely apart from the source materials

Shadow Boxer (D.3) Macha Poynder to using a mixture ofThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between