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might appear as deep furoughs in a scarred landscape
of imagination
where one can read about donkey-themed ethnographic inflections of Zdanevich’s zaum plays
Nina van de Ven
Kazuo Kitai, Iroha Europe might appear as deep furoughsWith this latest series, Kazuo Kitai renews his practice. By transforming his archival images, he offers a new, sensitive and gestural reading, questioning the creative act at the end of a cycle. In this new series, Kazuo Kitai revisits his own photographic archives: faces, bodies under tension, marching crowds, fragments of resistance. Known for documenting the protest movements in Japan during the 1960s, he now chooses to reactivate these images
