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He took tons of photos around his daily lives
La metafotografia attuale ha avuto la fotografia come incipit
The book is deliberately tightly bound: for a flattened view of the mirrored spreads like in the pictures below
Edward Ruscha
Il Giardino Signed Books He took tons of photosI went back to my garden. I like to photograph it, I need it. Something is changed, A small movement, to the surface. I havent moved too much after all. Il Giardino continues the journey that has started with Radici. As in his previous chapter, the narrative is built by following the urgency of a need to accumulate: collecting images that surround and testify the authors daily life. If from one side the language remains faithful to the mechanics of
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