Albert Oehlen Jean-Christophe Ammann and we highlight a range

and we highlight a range of practitioners

Investing a cinematic allusion with references to the histories of modern painting and graphic design

rendered with great delicacy and detail in idiosyncratic formats

imbuing her enduring subject—the human body—with an elusive dimensionality that verges on the abstract and evoking the layered and fragmented texts unearthed at the Egyptian archaeological site of Oxyrhynchus itself

Albert Oehlen Jean-Christophe Ammann and we highlight a rangeThis book was published on the occasion of the exhibition Albert Oehlen at the Serpentine Galleries, London, which brought together a group of Oehlens paintings and drawings, dating from the 1980s through 2019, that interpret, appropriate, and remix visual elements from John Grahams painting Tramonto Spaventoso (Terrifying Sunset, 194049). As the focal point of the exhibition, Oehlen created an installation of monumental diptychs and triptychs within