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rhythm-oriented cuts - particularly twin centerpieces “Visionary” and “There were days” - find common cause with the producerʼs approach of balancing programmed and improvised music
A work full of fresh imagination that has never been seen before
and a reminder that we're all part of the experience
to cast a spell
J. Spaceman, John Coxon - Music for William Eggleston's Stranded in Canton Genre_JAPANESE rhythm-oriented cuts - particularly twinIn 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing includes an 8 page booklet. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and
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