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In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals
As big fans of the so-called "brownface" Fender® amplifiers of the early 60s (1960-1963)
gives a slightly crunchy and percussive tone that’s ideal for melodic arpeggio enhancements
independent gain and volume controls
Scott McKeon SM Octaveon Germanium Fuzz Face In Input Mode the EQAt its core, the circuit in the Octaveon is a vintage style octave fuzz which uses analogue circuitry to rectify and mix the guitar signal with a phase inverted version of itself producing higher octave harmonics. In addition, certain lower frequencies are cancelled out, accentuating the effect. By limiting the higher frequencies in the guitar signal, the usable octave characteristics can be improved, and so the Wonder switch was added which cuts
