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as in the inescapable air of apprehension and in this case
punched out the openings
Edition 9/11
despite its multiplicity
Covers 13 -Black Clay Johnson as in the inescapable airJoanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then building upon it. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. This piece is part of a series titled
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